We then watch Adam overdose and nearly die as a result of his experiences and while it's extremely clear that this isn't actually happening, it doesn't make it any less emotionally affecting for viewers. The audience watches the actor playing teenage Adam work hard to embody Adam while interpreting his experiences in a truthful way. The episode that was all about understanding the plights of others gave viewers some insight into the plight of a character who was actually playing a made-up character, himself. Once Fielder has finished a re-do of his first class with him sitting in as Thomas, he says that this reenactment made him feel more “in sync with the actors” and that “the vibe in the room felt so much better.” While Fielder is honest about the fact that there were firm limitations on how far inside Thomas's head he could get, understanding him even just a little bit more made a palpable difference in how he and those around him feel.įurthermore, Episode 4 of The Rehearsal is by far more emotional than the episodes before it. What is the point of this perspective? This episode actually pretty clearly answers that, too. Still, even after this episode makes a case for the futility of attempting complete empathy, it makes you wonder what exactly that means. It’s clear that as Angela opens up about her surprising past, Fielder is noticing that while he thought he knew a lot about her, there were things about her life, thoughts, and experiences that he never knew and that there are more he will likely never know about. She says that she hated her absentee father when she was young and that she abused drugs and alcohol as a teenager before becoming a born-again Christian.
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When faced with a classroom full of folks who can explain other acting methods, Fielder says, “They have a way of channeling other people’s emotions that I don’t fully understand.” It's clear based on this statement that while his students haven't yet mastered the Fielder Method, folks who have studied acting in any form have a leg up when it comes to understanding other people.Įpisode 4 opens with Angela revealing a few unexpected things about herself (though enigmatic Angela has proven to be a difficult person to expect anything specific from). In some ways, the concept turns the idea of acting on its head a bit, and it’s clear that, for good reason, the actors in his class are intrigued.
Over the course of his time teaching in his acting school, though, it becomes clear that in order to achieve the level of realism he seeks, he wants his actors to become the people they’re playing, leaving as little margin of difference between the actor and their “primary” (aka the person they’re trying to emulate) as possible. RELATED: Nathan Fielder's Earnestness Is What Makes 'The Rehearsal' So Greatįielder explains that his reason for developing The Fielder Method was because he sought a uniquely high level of realism from the actors for the series’ rehearsals. Since one of the recurring ingredients of The Rehearsal is its commitment to taking things a bit over the top, Fielder creates his own acting school and what he calls “The Fielder Method.” The Fielder Method is an approach to acting that requires its actors to relate to their subjects by virtually any means necessary, even to the point of, as the class joked, “stalking.” Nathan Fielder wants to take the acting component of the show further, and he, himself, wants to have an easier time getting into the heads of the other cast members.
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The series also seems to believe that guessing is a good thing.Įpisode 4, “The Fielder Method,” involves an even deeper dive into the concept of actors playing real people in real situations that has been set up in the previous episodes. In its fourth episode, the show begins by exploring how deep you have to go to really understand another person, ending with the thesis that no matter how much you try to get into someone else’s head, the last stretch of understanding them is “just a guess.” This very well may be true, but The Rehearsal is particularly good at guessing.
In the most recent episodes of HBO’s The Rehearsal, the series has a lot to ask and say about empathy.
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